Min Yoon | dancetotheedge 





Conflict as movement, awareness, and connection

A 3-day embodied workshop in nature


What if conflict isn’t something to solve—but something to listen to, deepen as a door for connecting? 

In this 3-day workshop, we explore how conflict, tension, disturbance live in the body, in relationships, and in groups. Instead of staying only in conversation or analysis, we bring attention to movement, sensation, and the subtle signals that shape how we relate.

Through somatic practice, expressive movement, and process-oriented group work, we slow things down enough to notice what is already happening—before we decide what it “means” or what we should do about it.

We’ll be working with what arises in the moment: tension, avoidance, intensity, silence, clarity, humor, discomfort, and everything in between.

What you can expect

  • Exploring conflict in yourself, relationships, and group settings
  • Somatic and movement-based practices to deepen awareness
  • Simple, accessible tools from Process-Oriented Psychology (Process Work) blended with somatic expressive arts
  • Exercises to notice emotional, physical, and relational signals
  • Moments of reflection, sharing, and creative exploration
  • Working with polarities—different inner parts and impulses
  • A communication practice for clearer, more grounded feedback
  • Space for both intensity and rest

This is not about performing or “doing it right.”
More about noticing what is alive within and around —and learning to work with it.


Practical information

  • DATES: 19-21 June 2026 / 3 days
  • Fee: €250~300
  • LOCATION:
    at the beautiful Klanghaus Am See “Sound House”
    European Academy of Healing Arts
    Am See 1, 17440 Lassan OT Klein Jasedow

    https://eaha.org/events/transformation-konflikte-26
  • Accommodation: camping (shared outdoor setting in ecovillage project) + other nearby lodging options.
  • Group size: small, intimate group
  • Language: The workshop will be held primarily in English, with German translation available when needed.

~~~ reach out to: dancetotheedge@gmail.com


The approach

We combine approaches from Process Work (process-oriented psychology and Dreambody) and somatic-expressive arts, including movement, butoh dance, rhythmics, and relational awareness. We enter other ways of thinking, dreaming, being, with the language of the arts, in deeply meditative live music by the gongs and percussions by Wieland Möller.

We treat conflict not as a problem to eliminate, but as a doorway into:
  • creativity
  • clarity
  • relational depth
  • and unexpected movement in stuck patterns



This workshop is for everyone interested in studying themselves, creativity, and dancing with life and meaning

This workshop may resonate if you:
  • are curious about your relational and emotional patterns
  • are interested in embodiment, movement, or somatic practice
  • want to explore conflict in a more direct and alive way
  • feel drawn to learning through experience rather than theory
  • work with people, groups, or creative processes

No prior experience in somatic or movement work or music is needed—just curiosity and life experience.


Facilitators

Min Yoon


Min is a post/butoh dancer, somatic movement therapist / educator and conflict facilitator, based in Berlin and sharing internationally.They explore how we can find new ways of moving, both individually and together - with a focus on how one and many bodies move through polarity, tension, and transformation. Min leads philosophical, embodied, imaginative, and emotional scores with the individual and group body, focusing on the processing of polarities, using process-oriented psychology ("Process Work"), nature imagery, and somatic therapy methods.
As a teacher, Min has lectured and taught internationally, including at universities, non-profit and for-profit organizations, arts theaters and institutions, and communities—among them the Process Work Center of Hawai'i, the Felt Sense Conference, Zazen, the HeadwatersTheater, and a center for mental rehabilitation in Finland. As an artist,

Min's performances and social artworks have been supported by the NATIONAL PERFORMANCE NETWORK (npn) in
Germany, the German Dance Association (Dachverband Tanz Deutschland), Kultuuri Kaupilla in Finland, the City of Oakland, the Battery Club of San Francisco, and the Awesome Foundation, as well as through artist residencies and grants. Min was also a fellow at the Center for Art and Urbanistics (ZK/U Berlin) and an Artcorps fellow at the Tamalpa Institute, founded by Daria and Anna Halprin. With a grant, Min was invited to the Process Work Institute to connect Butoh dance with global conflicts.

dancetotheedge.com  |  instagram.com/dancetotheedge


Min photos by Orange Ear and Palo Y Piedra

Wieland Möller


Wieland is a percussionist, gong player, and improvisational musician trained in Rotterdam and Dresden. His work explores rhythm, resonance, and the relationship between sound, movement, and space. Wieland teaches on resonance, gong, percussions, and improvisation - at the European Academy of Healing Arts and other artistic institutions. 

He performs internationally in jazz and experimental music contexts and collaborates across disciplines with dancers, performers, and visual artists.

His practice brings sound as an embodied experience—creating spaciousness, focus, and energetic shifts within group processes.

Wieland Möller studied percussion at the Rotterdam Conservatoire and rhythmics at the Dresden University of Music. He learned to play the gong from Johannes Heimrath, from whom he also learned the special method of sonograms. As a performing musician, he works primarily in jazz and improvised music. He is also dedicated to dance and performs on international stages, including with the Akvariet Trio. He has received funding from the Goethe Institute, the Berlin Senate, and the German Dance Association (Dachverband Tanz). Collaborations include
those with Markus Stockhausen, Prof. Ingo Reulecke, and Okwui Okpokwasili. Wieland explores the synesthetic relationships between sound and movement in space, thus creating a synthesis of gong sounds, percussion, and movement in his work.

www.wielandmoeller.com



Words about Min’s Teaching / Holding Space:



“It was one of the most personal and equal challenging butoh trainings that ive experienced, while being in a caring, open environment. I think one goes in hand with another which was a very imaginative creation (by Min) that had lead our diverse movements. We were travelling through movies, natural spaces, internal pressures, unusual characters and more, being connected bodies of intensities and its opposites. It was so much, leaving ideas for further practice.”
- MARTINA, dancer 


“A profound journey with and through the (individual & collective) body, psyche and nervous system. My body continues to buzz from the opportunity to embrace exhaustion, rage and uncertainty.

Min is a super skilled facilitator, both in their composition of the workshop, where each exercise as well as the entire weekend moved through really effective arches, and in their adaptability to the needs of the group. They also adapted all the exercises to accommodate my injured foot, and I never felt left out just because I couldn't really stand/walk-- I wish more dancers would embrace creating accessible movement spaces that celebrate the ways that vastly different bodies, abilities and skillsets can move and create magic together<3”
- ZOYA, dancer


“Mins way of facilitating ring and stirr something in the deeper layers of the soul, the layers where consciousness meets subconcious meets body. Something primal yet complex. Something not moral, not binary. Maybe previous lifes, maybe a collective archetypal subconcious. Maybe just something you've seen in a movie. Your body knows. Their work led us into fleshy, bizarre, violent, playful, angelistic, posthuman embodiment - choreographing a requiem, a musical for a dying world that still is tenderly lovable.
Out of the comfort zone into an individual and collective journey. Lunching into muddy waters. A purge that leaves you alive and transparent. Artfully crafted and served with care.
Mixing philosophy with pop culture with social media with earthy intuition, razorsharp precision, a strong political stance and deep, fierce passion.
That was so good. Go for it, if you have the chance.”
- JUL, dancer


“I was surprised, touched, and carried through this experience, within the gentle, fluid container that Min created for us. I found new parts of myself and reconnected with old ones, stripping away the facade of who I wanted others to see and revealing the parts of me that have always tried to hide. I will forever remember this experience, which has opened doors for me as to what movement can look like and be.”
- JEN, mover, writer


“Min facilitated sessions which included written reflections, storytelling, expressive movement, movement based in imagery and imagination, interview-type conversations, and drawing. The range of activities meant that an idea seeded in one area could move to another, and another, and eventually become something very different in form, yet connected in concept, to the initial inspiration. This experience, guided and supported by Min, invited (but never forced) me into the depths of memory and psyche, alternative movement pathways, and new perspectives. I experienced emotional opening and relief as a result of working with Min and a shift in how I related to old stories about my life and my body. The research felt important to my healing process and also empowered me to show up differently– more aware, present, and understanding– in my relationships. While no two sessions were alike, I always felt held in the patient and loving container that Min created.”
- NICOLA, dancer




image of pine cone that only flowers, after a fire, by mrg


With big love to Min's inspirations and lineages~

JINEN Butoh by Atsushi Takenouchi
http://www.jinen-butoh.com/

Process-oriented psychology & conflict studies:
https://www.processwork.edu/what-is-processwork/

Life/Art Process by Anna Halprin and Daria Halprin:
https://www.tamalpa.org/about-us/our-process

___

images with deep movers from past workshop experiences


photography by Alena Egorkina


photography by Palo y Piedra